Woodway Magazine / Wood stories

Purpleheart, Purple Without Paint

When people first see a purpleheart board, they naturally suspect that it has been painted. But this purple comes from inside the wood. Look at the purple across the broad face together with the bright band along the edge, and you can read how the tree grew.

Woodway Magazine editors · Nov 7, 2026 · 4 min read

Purpleheart, Purple Without Paint

Purpleheart is, as its name suggests, wood that is purple inside. People seeing a board for the first time usually ask whether it has been painted. That is because an even reddish purple covers the surface, even though it has only been planed. The name is used for trees in the genus Peltogyne, which grow in Central and South America. Relatively hard and heavy, purpleheart is widely used for furniture accents, inlay, and turned wooden objects.

Purple Across the Broad Face

Lay a board roughly 900 mm long and more than 400 mm wide flat on the floor, and purple covers the entire face. The color is not uniformly even, as though it had been painted in a single shade. Dark and light bands alternate along the grain, while reddish tones and purple come forward in turn depending on the angle of the light.

A 435 mm-wide purpleheart board viewed from above. A bright edge remains on the right. No. 5409
A 435 mm-wide purpleheart board viewed from above. A bright edge remains on the right. No. 5409
The broad face of an upright board. Dark and light purple bands run along the grain.
The broad face of an upright board. Dark and light purple bands run along the grain.

The Bright Band Along the Edge

The purple is the color of the wood’s interior—in other words, the heartwood. The sapwood near the bark is a light beige, so a board sawn with the edge intact has a bright band beside the purple face. The boundary between the two colors is not straight as if drawn with a ruler; it curves with the way the tree grew. You can cut away this band and use only the purple, or leave it intact as an accent on a tabletop or shelf.

The same board viewed at an angle. The boundary between the purple heartwood and bright sapwood curves along the growth of the tree.
The same board viewed at an angle. The boundary between the purple heartwood and bright sapwood curves along the growth of the tree.
An upright natural-edge purpleheart board. Sapwood remains along the left edge. No. 1680
An upright natural-edge purpleheart board. Sapwood remains along the left edge. No. 1680

Color That Changes With Air and Light

Purpleheart’s color is not fixed. A freshly sawn surface is close to a dull brown, then deepens to purple when exposed to air; after prolonged exposure to sunlight, it darkens back toward brown. This is why boards kept in the same wood library can appear different depending on the condition of their surfaces. On some boards, one face may have faded to grayish brown, making the purple almost impossible to see, while another face reveals purplish brown.

One face of a purpleheart board faded to grayish brown. No. 3754
One face of a purpleheart board faded to grayish brown. No. 3754
The other face of the same board. Dark bands appear against a purplish brown background.
The other face of the same board. Dark bands appear against a purplish brown background.
A close view of the board’s surface. Small knot marks pass between bands of dark and light purple grain.
A close view of the board’s surface. Small knot marks pass between bands of dark and light purple grain.

The Grain Appears When Cut Small

Broad boards mainly show straight stripes, but when cut into small pieces, such as 28 mm square stock, each face reveals a different pattern. Some faces have straight-running grain, while others show growth rings curving around in circles. Stock of this size is well suited to turning into pens or handles. Because purple wood is uncommon, joining it with another species creates clear color contrast in cutting boards and small objects.

Four pieces of 28 mm square purpleheart stock. No. 4805
Four pieces of 28 mm square purpleheart stock. No. 4805
The stock viewed from the end. A circular pattern appears on one broad face of a piece.
The stock viewed from the end. A circular pattern appears on one broad face of a piece.

Each piece of purpleheart differs in the intensity of its purple and the width of its sapwood. When choosing a piece, it is helpful to consider the color of the broad face together with the edge band, and to decide in advance whether to keep the band or cut it away according to how the wood will be used.

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